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On Sarah Kofmans LEnigme de la Femme
The Construction of the Castrated Woman
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Achternbusch activity already analysis appears associations attraction become body called camera castration character cinema completely concept construction continues contradiction course critical cultural desire dialectic direction discourse effect Eisenstein example existence experience expression fact female feminist figure film filmmakers finally fragment frame Freud function German give given hand human idea important interest issues Italy Ivan kind Kluge language laws least less look male marked Marxism material meaning montage mother movement narrative nature never object once opposition organization particular passage penis play political position possible practice precisely present produce question reference relation relationship remains represent representation scene seems seen sense sequence sexual shot signifier social space speaking specific spectator structure symbolic takes theoretical theory things tion turn voice whole woman women writing