Louis Fourteenth, and the Writers of His Age: Being a Course of Lectures Delivered (in French) to a Select Audience in New YorkJ. P. Jewett, 1855 - 413 sider |
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Side xiv
... , he was master of , to an extraordinary degree . He was not a hero ; but he played the hero . He was not learned ; but he acted the character of Augustus , the patron of learning . He loved the glory of France , xiv INTRODUCTION .
... , he was master of , to an extraordinary degree . He was not a hero ; but he played the hero . He was not learned ; but he acted the character of Augustus , the patron of learning . He loved the glory of France , xiv INTRODUCTION .
Side xv
... glory of France , which he regarded as identical with the glory of Louis XIV . This fell in with the national taste ; and the people and the king were thus united in the chief object of their mutual desires . He was , also , eminently ...
... glory of France , which he regarded as identical with the glory of Louis XIV . This fell in with the national taste ; and the people and the king were thus united in the chief object of their mutual desires . He was , also , eminently ...
Side xviii
... glory , was the sunset of her greatness ; so that it is exceedingly painful to pass , within less than a century , from that brilliant reign to the horrors of the Revolution , in which altar and throne , social order and domestic life ...
... glory , was the sunset of her greatness ; so that it is exceedingly painful to pass , within less than a century , from that brilliant reign to the horrors of the Revolution , in which altar and throne , social order and domestic life ...
Side 4
... glory consisted . His works could give no satisfactory answer ; for , noth- ing can be less philosophical than this history written by a philosopher . To understand the productions of any period you must understand the age itself , and ...
... glory consisted . His works could give no satisfactory answer ; for , noth- ing can be less philosophical than this history written by a philosopher . To understand the productions of any period you must understand the age itself , and ...
Side 9
... glory of their school , that Racine was one of their pupils . This predilection for antiquity explains the character of many of the books of this epoch , and particularly of the tragedies . Not only were the subjects borrowed from Greek ...
... glory of their school , that Racine was one of their pupils . This predilection for antiquity explains the character of many of the books of this epoch , and particularly of the tragedies . Not only were the subjects borrowed from Greek ...
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admirable Alceste appear beautiful believe Bérénice Boileau Bossuet called Catholic Célimène character Chimène Christian church classic comedy condemned contrary Corneille court death doctrine Dorine dramatic duty eyes Fable father faults fear feel Fenelon Fontaine France French genius give glory happiness heart hero Hippolyte honor human idea Jesuits justice king La Fontaine language Louis XIV lover Madame de Maintenon Madame Guyon ment misanthrope misery Molière moral nature never noble opinion Orgon Pascal passion Pauline personages persons Phedra Philinte piece pious poet poetry Polyeucte present Provincial Letters Quietism Racine reason religion religious remarkable represented respect Roman Rome Romeo and Juliet Scene seek sentiments seventeenth century Severus Shakspeare society soul speak style Tartufe Telemachus theatre thee Theseus thing thou thought tion Titus tragedy tragic true truth verses virtue wife wish words write
Populære passager
Side 268 - tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night.
Side 374 - Woe unto you, Scribes and Pharisees, hypocrites! for ye are like unto whited sepulchres, which indeed appear beautiful outward, but are within full of dead men's bones, and of all uncleanness.
Side 257 - But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
Side 257 - But by pursuing closely one argument, which is not cloyed with many turns, the French have gained more liberty for verse, in which they write ; they have leisure to dwell on a subject which deserves it ; and to represent the passions (which we have acknowledged to be the poet's work), without being hurried from one thing to another...
Side 255 - Romantic poetry, on the other hand, is the expression of the secret attraction to a chaos which lies concealed in the very bosom of the ordered...
Side 268 - To twinkle in their spheres, till they return. What if her eyes were there, they in her head; The brightness of her cheek would shame those stars, As daylight doth a lamp; her eye in heaven Would through the airy region stream so bright, That birds would sing, and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, That I might touch that cheek!
Side 255 - ... its fragmentary appearance, approaches more to the secret of the universe. For Conception can only comprise each object separately, but nothing in truth can ever exist separately and by itself; Feeling perceives all in all at one and the same time.
Side 61 - the great commandment on which hang all the law and the prophets'; they strike at the very heart of piety; they rob it of the spirit that giveth life; they hold that to love God is not necessary to salvation; and go so far as to maintain that 'this dispensation from loving God is the privilege which Jesus Christ has introduced into the world!
Side 254 - The ancient art and poetry rigorously separate things which are dissimilar; the romantic delights in indissoluble mixtures; all contrarieties: nature and art, poetry and prose, seriousness and mirth, recollection and anticipation, spirituality and sensuality, terrestrial and celestial, life and death, are by it blended together in the most intimate combination.
Side 398 - Can anything be more ridiculous than that a man should have the right to kill me because he lives on the other side of the water, and because his ruler has a quarrel with mine, though I have none with him?