Four Americans: Roosevelt, Hawthorne, Emerson, WhitmanYale review, 1919 - 90 sider |
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Side 35
... symbolism even here . There is a wound on Zenobia's breast , inflicted by the pole with which Hollingsworth is groping the river bottom . And this is why one finds his " American Note Books " quite as interesting reading as his stories ...
... symbolism even here . There is a wound on Zenobia's breast , inflicted by the pole with which Hollingsworth is groping the river bottom . And this is why one finds his " American Note Books " quite as interesting reading as his stories ...
Side 41
... modern religion , Hawthorne seldom uses out - and - out allegory ; but rather a more or less definite symbolism . Even in his full - length romances , this mental habit persists in the typical and , so to speak 41 FIFTY YEARS OF HAWTHORNE.
... modern religion , Hawthorne seldom uses out - and - out allegory ; but rather a more or less definite symbolism . Even in his full - length romances , this mental habit persists in the typical and , so to speak 41 FIFTY YEARS OF HAWTHORNE.
Side 42
... symbolic blossom was a gardenia , an orchid , a tuberose , a japonica , or what it was . Thoreau , if we can imagine him writing a romance , would have added the botanical name . " Rappacini's Daughter " is a very repre- sentative ...
... symbolic blossom was a gardenia , an orchid , a tuberose , a japonica , or what it was . Thoreau , if we can imagine him writing a romance , would have added the botanical name . " Rappacini's Daughter " is a very repre- sentative ...
Side 44
... symbolic and the mar- velous tempted Hawthorne constantly to the brink of the supernatural . But here his art is delicate . The old - fashioned ghost is too robust an apparition for modern credulity . The modern ghost is a " clot on the ...
... symbolic and the mar- velous tempted Hawthorne constantly to the brink of the supernatural . But here his art is delicate . The old - fashioned ghost is too robust an apparition for modern credulity . The modern ghost is a " clot on the ...
Side 64
... symbolic art akin to Hawthorne's own . A bust of Plato presided over the exer- cises of the School , and " Plato - Skimpole ” — as Mr. Alcott was once nicknamed - made the opening address . I remember how im- pressively he quoted ...
... symbolic art akin to Hawthorne's own . A bust of Plato presided over the exer- cises of the School , and " Plato - Skimpole ” — as Mr. Alcott was once nicknamed - made the opening address . I remember how im- pressively he quoted ...
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Almindelige termer og sætninger
admire Alcott allegory Ameri American Note Books ancient animals Arnold artist beautiful biographer bittern Blithedale Romance Boston called Carlyle character church Colonel Concord Connecticut convention cord critic Democratic Edgar Poe Edward Hoar Ellery Channing Emer Emerson England English essay fiction Fitchburg Railroad Germans ghost gospel Hawthorne Hawthorne's humbug humor imagination intellectual interest James James Whitcomb Riley Kingsley Leaves of Grass lecture Lincoln literary living Longfellow Lowell Matthew Arnold ment mind Miss modern moral Mosses Musketaquit nature never novel Old Manse once Orchard House party philosopher poems poet poetry President Pyncheon ranch remember river Roosevelt Salem Sanborn Scarlet Letter scene School sense Seven Gables Shakespeare sketches soul story symbolic tale things Thoreau thorne thought tion took town transcendentalist truth Twice-Told Twice-Told Tales universal Walden Walt Whitman Wayside writer wrote Yale Review young Zenobia
Populære passager
Side 68 - And fired the shot heard round the world. The foe long since in silence slept; Alike the conqueror silent sleeps; And Time the ruined bridge has swept Down the dark stream which seaward creeps. On this green bank, by this soft stream, We set today a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone. Spirit, that made those heroes dare To die, and leave their children free, Bid Time and Nature gently spare The shaft we raise to them and thee.
Side 14 - It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood...
Side 64 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Side 59 - Aurelius is not a great writer, a great philosophy-maker ; he is the friend and aider of those who would live in the spirit.
Side 57 - The story comes home to me like truth. Oftentimes, as an intellectual and moral exercise, I have sought to follow that poor youth through his subsequent career, and observe how his soul was tortured by the...
Side 81 - ... with the names of artists —Phidias, Raphael, Salvator Rosa— and he speaks always in such a way that it is impossible to connect what he says with any impression we have ever received from the works of those masters. In fact, Emerson has never in his life felt the normal appeal of any painting, or any sculpture, or any architecture, or any music. These things, of which he does not know the meaning in real life, he yet uses, and uses constantly, as symbols to convey ethical truths. The result...
Side 15 - ... neither victory nor defeat. Shame on the man of cultivated taste who permits refinement to develop into a fastidiousness that unfits him for doing the rough work of a workaday world. Among the free peoples who govern themselves there is but a small field of usefulness open for the men of cloistered life who shrink from contact with their fellows.
Side 77 - Let war and trade and creeds and song Blend, ripen race on race; The sunburnt world a man shall breed Of all the zones, and countless days, No ray is dimmed, no atom worn; My oldest force is good as new; And the fresh rose on yonder thorn Gives back the bending heavens in dew.
Side 41 - But it is apt to spoil two good things — a story and a moral, a meaning and a form...
Side 42 - A story there passeth of an Indian king that sent unto Alexander a fair woman, fed with aconite and other poisons, with this intent complexionally to destroy him!