University of Wisconsin Studies in Language and Literature, Oplag 1–3The University, 1918 |
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Side 61
... rhetorical contrast to " Glorious Columbia . " There was little show of magnanimity in the way in which America took her victory . Perhaps no such feeling could have been expected . But the self - congratulations and CAIRNS - BRITISH ...
... rhetorical contrast to " Glorious Columbia . " There was little show of magnanimity in the way in which America took her victory . Perhaps no such feeling could have been expected . But the self - congratulations and CAIRNS - BRITISH ...
Side 43
... rhetorical use of minor and major balanced elements . By minor elements I mean triads , or duplicated couplings or phrases , with or without homologous modifiers for instance , " his lilies and his roses , his satyrs and his dryads ...
... rhetorical use of minor and major balanced elements . By minor elements I mean triads , or duplicated couplings or phrases , with or without homologous modifiers for instance , " his lilies and his roses , his satyrs and his dryads ...
Side 51
... rhetorical devices that would tend to mark the evolution of his style from the specific gravity of rhetoric to such specific levity as he ever attained . An examination of the extracts representative of the first group , drawn from the ...
... rhetorical devices that would tend to mark the evolution of his style from the specific gravity of rhetoric to such specific levity as he ever attained . An examination of the extracts representative of the first group , drawn from the ...
Side 63
... rhetorical form to their sen- tences , Sidney uses in the Arcadia . These devices are the periodic arrangement , and balance ; which I shall treat as the fourth and fifth types of the long sentence as it is found in the Arcadia . ( 4 ) ...
... rhetorical form to their sen- tences , Sidney uses in the Arcadia . These devices are the periodic arrangement , and balance ; which I shall treat as the fourth and fifth types of the long sentence as it is found in the Arcadia . ( 4 ) ...
Side 64
... rhetorical effect of con- siderable force ; but it does not contribute to effective sen- tence - form . The following example begins with balanced an- titheses ; it then wanders off into other sorts of constructions , one at least of ...
... rhetorical effect of con- siderable force ; but it does not contribute to effective sen- tence - form . The following example begins with balanced an- titheses ; it then wanders off into other sorts of constructions , one at least of ...
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Almindelige termer og sætninger
actors alliteration American Anti-Jacobin Review appear Artabazus artist beauty Beowulf birds Boaden century character Chaucer Choerilus Cicero Cimabue Comedy composition costume courtly love criticism drama dress Elizabethan Elkanah Settle emphasis England English expression fact four-accent Germanic give Godwin Greek half-line Heracles Herodotus heroic play Hrothgar human idea important interest Jātaka John Ruskin Kemble King later letter literary literature London Lovers Lucilius Magazine Mardonius matter ment metrical mind modern Monthly Review nature never Niebelungen Norton Oriental Panaetius Pandarus passage period philosophical poem poet poetry political praise present principles prose quoted Rambler reader reason rhetorical rhyme Ruskin satire says scansion scene Scipionic circle seems sense sentence Sir Orfeo sources speech spirit stage stanza Stoic story style syllables tale tence theory things thought tion translation truth two-accent unity verse whole words writings
Populære passager
Side 19 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Side 278 - Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake,' ' has most. For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Side 27 - I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live up to what light I have. I must stand with anybody that stands right; stand with him while he is right, and part with him when he goes wrong.
Side 20 - Cherub, to be weak is miserable, Doing or suffering: but of this be sure, To do aught good never will be our task, But ever to do ill our sole delight, As being the contrary to his high will Whom we resist.
Side 68 - ... the highest end of the mistress-knowledge, by the Greeks called architeklonike, which stands, as I think, in the knowledge of a man's self, in the ethic and politic consideration, with the end of well-doing, and not of well-knowing only...
Side 19 - Extort from me. To bow and sue for grace With suppliant knee, and deify his power Who from the terror of this arm so late Doubted his empire - that were low indeed, That were an ignominy...
Side 112 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain?
Side 20 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...
Side 168 - The History of the Late Revolution of the Empire of the Great Mogul...
Side 26 - When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas...