University of Wisconsin Studies in Language and Literature, Oplag 1–3The University, 1918 |
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Side 181
... of the heroic play , see Chase , L. N. , The English Heroic Play , 55-65 . The Empress of Morocco , ed . of 1687 , p . 21 . from change of scene , appropriate costume , and attendant THE ORIENTAL IN RESTORATION DRAMA 181.
... of the heroic play , see Chase , L. N. , The English Heroic Play , 55-65 . The Empress of Morocco , ed . of 1687 , p . 21 . from change of scene , appropriate costume , and attendant THE ORIENTAL IN RESTORATION DRAMA 181.
Side 182
from change of scene , appropriate costume , and attendant music , ' '22 clear through Goring's Irene , we are constantly struck by the lack of any distinction , in most plays , between Chinese and Tartars , Turks and Greeks , and even ...
from change of scene , appropriate costume , and attendant music , ' '22 clear through Goring's Irene , we are constantly struck by the lack of any distinction , in most plays , between Chinese and Tartars , Turks and Greeks , and even ...
Side 187
... costume were determined when the 1823 performance of King John under Kemble's management and Planché's immediate ... costume just as in every other aspect of the life and art of the time ; and though the epochs marking the progress of ...
... costume were determined when the 1823 performance of King John under Kemble's management and Planché's immediate ... costume just as in every other aspect of the life and art of the time ; and though the epochs marking the progress of ...
Side 188
... costume which he thought suited to himself or to the character he was about to present.1 The leading actresses were ... costumes and scenery were , however , not altogether unconsidered even in the years immediately following the ...
... costume which he thought suited to himself or to the character he was about to present.1 The leading actresses were ... costumes and scenery were , however , not altogether unconsidered even in the years immediately following the ...
Side 192
... costumes worn on the stage were shabby as well as lacking in propriety throughout the first half of the eigh- teenth century is the universal opinion of the critics of the time . Cibber gives many amusing references to Dogget's ...
... costumes worn on the stage were shabby as well as lacking in propriety throughout the first half of the eigh- teenth century is the universal opinion of the critics of the time . Cibber gives many amusing references to Dogget's ...
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Almindelige termer og sætninger
actors alliteration American Anti-Jacobin Review appear Artabazus artist beauty Beowulf birds Boaden century character Chaucer Choerilus Cicero Cimabue Comedy composition costume courtly love criticism drama dress Elizabethan Elkanah Settle emphasis England English expression fact four-accent Germanic give Godwin Greek half-line Heracles Herodotus heroic play Hrothgar human idea important interest Jātaka John Ruskin Kemble King later letter literary literature London Lovers Lucilius Magazine Mardonius matter ment metrical mind modern Monthly Review nature never Niebelungen Norton Oriental Panaetius Pandarus passage period philosophical poem poet poetry political praise present principles prose quoted Rambler reader reason rhetorical rhyme Ruskin satire says scansion scene Scipionic circle seems sense sentence Sir Orfeo sources speech spirit stage stanza Stoic story style syllables tale tence theory things thought tion translation truth two-accent unity verse whole words writings
Populære passager
Side 19 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Side 278 - Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake,' ' has most. For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Side 27 - I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live up to what light I have. I must stand with anybody that stands right; stand with him while he is right, and part with him when he goes wrong.
Side 20 - Cherub, to be weak is miserable, Doing or suffering: but of this be sure, To do aught good never will be our task, But ever to do ill our sole delight, As being the contrary to his high will Whom we resist.
Side 68 - ... the highest end of the mistress-knowledge, by the Greeks called architeklonike, which stands, as I think, in the knowledge of a man's self, in the ethic and politic consideration, with the end of well-doing, and not of well-knowing only...
Side 19 - Extort from me. To bow and sue for grace With suppliant knee, and deify his power Who from the terror of this arm so late Doubted his empire - that were low indeed, That were an ignominy...
Side 112 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain?
Side 20 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...
Side 168 - The History of the Late Revolution of the Empire of the Great Mogul...
Side 26 - When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas...