University of Wisconsin Studies in Language and Literature, Oplag 1–3The University, 1918 |
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Side 5
... Ruskin and the Sense of Beauty F. W. Roe . An American's Influence on John Ruskin William F. De Moss 224 270 300 Character Portrayal in the Work of Henry James William B. Cairns · 314 Some Influences of Meredith's Philosophy on his ...
... Ruskin and the Sense of Beauty F. W. Roe . An American's Influence on John Ruskin William F. De Moss 224 270 300 Character Portrayal in the Work of Henry James William B. Cairns · 314 Some Influences of Meredith's Philosophy on his ...
Side 26
... Ruskin's for eager denunciation , he was oppressive in his solemnity . His words issued into being with spondaic deliberativeness without the lightness of touch to be marked in a Spectator paper or the power of the Crown of Wild Olive ...
... Ruskin's for eager denunciation , he was oppressive in his solemnity . His words issued into being with spondaic deliberativeness without the lightness of touch to be marked in a Spectator paper or the power of the Crown of Wild Olive ...
Side 30
... Ruskin ..... 1.51 1.38 Macaulay .... 1.57 1.53 De Quincey .. 1.61 Johnson ... 1.55 1.53 The rhythm of Johnson's prose is well worthy of discussion . Prose rhythm , as I understand it , when memorable for excel- lence , is based on the ...
... Ruskin ..... 1.51 1.38 Macaulay .... 1.57 1.53 De Quincey .. 1.61 Johnson ... 1.55 1.53 The rhythm of Johnson's prose is well worthy of discussion . Prose rhythm , as I understand it , when memorable for excel- lence , is based on the ...
Side 269
... and " criminals . " Line 1252 . Say , Reason , say . When Reason shall come into her own , war will cease . Compare Godwin , quoted on page 230 . RUSKIN AND THE SENSE OF BEAUTY F. W. ROE One JOSEPH FAWCETT : THE ART OF WAR 269.
... and " criminals . " Line 1252 . Say , Reason , say . When Reason shall come into her own , war will cease . Compare Godwin , quoted on page 230 . RUSKIN AND THE SENSE OF BEAUTY F. W. ROE One JOSEPH FAWCETT : THE ART OF WAR 269.
Side 270
RUSKIN AND THE SENSE OF BEAUTY F. W. ROE One of the tutors at Oxford when Ruskin was an under- graduate there , " the only man among the masters of my day , " said he , " who knew anything of art , " Henry G. Liddell ( afterwards the ...
RUSKIN AND THE SENSE OF BEAUTY F. W. ROE One of the tutors at Oxford when Ruskin was an under- graduate there , " the only man among the masters of my day , " said he , " who knew anything of art , " Henry G. Liddell ( afterwards the ...
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actors alliteration American Anti-Jacobin Review appear Artabazus artist beauty Beowulf birds Boaden century character Chaucer Choerilus Cicero Cimabue Comedy composition costume courtly love criticism drama dress Elizabethan Elkanah Settle emphasis England English expression fact four-accent Germanic give Godwin Greek half-line Heracles Herodotus heroic play Hrothgar human idea important interest Jātaka John Ruskin Kemble King later letter literary literature London Lovers Lucilius Magazine Mardonius matter ment metrical mind modern Monthly Review nature never Niebelungen Norton Oriental Panaetius Pandarus passage period philosophical poem poet poetry political praise present principles prose quoted Rambler reader reason rhetorical rhyme Ruskin satire says scansion scene Scipionic circle seems sense sentence Sir Orfeo sources speech spirit stage stanza Stoic story style syllables tale tence theory things thought tion translation truth two-accent unity verse whole words writings
Populære passager
Side 19 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Side 278 - Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake,' ' has most. For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Side 27 - I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live up to what light I have. I must stand with anybody that stands right; stand with him while he is right, and part with him when he goes wrong.
Side 20 - Cherub, to be weak is miserable, Doing or suffering: but of this be sure, To do aught good never will be our task, But ever to do ill our sole delight, As being the contrary to his high will Whom we resist.
Side 68 - ... the highest end of the mistress-knowledge, by the Greeks called architeklonike, which stands, as I think, in the knowledge of a man's self, in the ethic and politic consideration, with the end of well-doing, and not of well-knowing only...
Side 19 - Extort from me. To bow and sue for grace With suppliant knee, and deify his power Who from the terror of this arm so late Doubted his empire - that were low indeed, That were an ignominy...
Side 112 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain?
Side 20 - As being the contrary to his high will Whom we resist. If then his providence Out of our evil seek to bring forth good, Our labour must be to pervert that end, And out of good still to find means of evil...
Side 168 - The History of the Late Revolution of the Empire of the Great Mogul...
Side 26 - When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas...