Discourse, Bind 30,Oplag 32008 |
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Side 406
... shoot at a tour bus driv- ing through the Moroccan desert . Shooting at extreme long range , Yussef hits the bus , and the bullet strikes Susan ( Cate Blanchett ) , almost killing her . This event occurs early in the film , which subse ...
... shoot at a tour bus driv- ing through the Moroccan desert . Shooting at extreme long range , Yussef hits the bus , and the bullet strikes Susan ( Cate Blanchett ) , almost killing her . This event occurs early in the film , which subse ...
Side 407
... shooting the new gun , the white tour bus appears on a road in the valley below . Yussef shoots at it , but there is no intentionality behind this act . He is simply testing the gun , trying to prove his shooting ability and the gun's ...
... shooting the new gun , the white tour bus appears on a road in the valley below . Yussef shoots at it , but there is no intentionality behind this act . He is simply testing the gun , trying to prove his shooting ability and the gun's ...
Side 408
... shooting . One might imagine a different leftist film con- structed with this end in mind . It would begin not with Abdullah's purchase of the gun , but with an illustration of American activity and influence in Morocco . Demonstrating ...
... shooting . One might imagine a different leftist film con- structed with this end in mind . It would begin not with Abdullah's purchase of the gun , but with an illustration of American activity and influence in Morocco . Demonstrating ...
Indhold
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York