Discourse, Bind 30,Oplag 32008 |
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Side 374
... opening jit- terbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become famil- iar until the end of the film . This image dissolves into a nighttime exterior scene ...
... opening jit- terbug montage and then a distinct but enigmatic shot of wrinkled sheets in a darkened bedroom , a location that will not become famil- iar until the end of the film . This image dissolves into a nighttime exterior scene ...
Side 385
... opening of the shutter to effect its invisi- ble collision ; and each gap between photographs , unphotographed and unseen , stands as a bit of lost time . Likewise , in film , the interval between frames preserves a special kind of ...
... opening of the shutter to effect its invisi- ble collision ; and each gap between photographs , unphotographed and unseen , stands as a bit of lost time . Likewise , in film , the interval between frames preserves a special kind of ...
Side 450
... opening sequences envision the public realm as less a sphere at risk of penetration and more an ever - shifting fluid exchange ( and an exchange of fluids ) . Both ideologies - that of the closed space invaded from outside and that of ...
... opening sequences envision the public realm as less a sphere at risk of penetration and more an ever - shifting fluid exchange ( and an exchange of fluids ) . Both ideologies - that of the closed space invaded from outside and that of ...
Indhold
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York