Discourse, Bind 30,Oplag 32008 |
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Side 294
... developed for projectors , including the use of alum troughs to cool the light of the projector before passing through the film and vari- ous take - up devices to collect and contain the celluloid . Many metropolises also mandated ...
... developed for projectors , including the use of alum troughs to cool the light of the projector before passing through the film and vari- ous take - up devices to collect and contain the celluloid . Many metropolises also mandated ...
Side 296
Techniques developed for representing accidents contributed significantly to film's aesthetic enframing : the active work of the film frame , and its role — alternately highly visible and invisible — in con- stituting and delimiting the ...
Techniques developed for representing accidents contributed significantly to film's aesthetic enframing : the active work of the film frame , and its role — alternately highly visible and invisible — in con- stituting and delimiting the ...
Side 297
... developed magic- lantern tradition . Cost of real estate in Britain also seems to have kept many of these early British filmmakers from initially acquiring the sorts of fully enclosed studios built by Edison at Menlo Park , New Jersey ...
... developed magic- lantern tradition . Cost of real estate in Britain also seems to have kept many of these early British filmmakers from initially acquiring the sorts of fully enclosed studios built by Edison at Menlo Park , New Jersey ...
Indhold
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York