Discourse, Bind 30,Oplag 32008 |
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Side 431
... described one of the central strategies of Fluxus as one in which “ objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just described , the work forcefully reframed events as ...
... described one of the central strategies of Fluxus as one in which “ objects are reframed as events . " 23 It might also be suggested that in a number of cases , including the one just described , the work forcefully reframed events as ...
Side 432
... described earlier in this essay , Guitar Drag presents the conversion of a historically contingent ( significantly , sonic ) event , rife with indeterminacies and accidents , into a frozen trace of these once , at least partially ...
... described earlier in this essay , Guitar Drag presents the conversion of a historically contingent ( significantly , sonic ) event , rife with indeterminacies and accidents , into a frozen trace of these once , at least partially ...
Side 435
... described it as a coherent performance piece , what the work actually presents is a significant shift in mediation from the 1970s model of documenting performance , of balancing events and structure . Though Guitar Drag resembles the ...
... described it as a coherent performance piece , what the work actually presents is a significant shift in mediation from the 1970s model of documenting performance , of balancing events and structure . Though Guitar Drag resembles the ...
Indhold
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York