The Tragedy of CymbelineYale University Press, 1924 - 166 sider |
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Side 136
... reference to the bands of death ' leaves no doubt that the word here alludes to the cerements of death . ' I. i . 146 , 147. overbuys me Almost the sum he pays . " That is , he gives himself , worth any woman , and gets in return only ...
... reference to the bands of death ' leaves no doubt that the word here alludes to the cerements of death . ' I. i . 146 , 147. overbuys me Almost the sum he pays . " That is , he gives himself , worth any woman , and gets in return only ...
Side 138
... reference is to the game of bowls . The jack is the small bowl at which the others are aimed . The player ' kisses the jack ' when his bowl touches it without moving it . Cloten's bowl was knocked 138 The Tragedy of Cymbeline.
... reference is to the game of bowls . The jack is the small bowl at which the others are aimed . The player ' kisses the jack ' when his bowl touches it without moving it . Cloten's bowl was knocked 138 The Tragedy of Cymbeline.
Side 140
... reference is to cutting a pack of cards , upon which occasion only ace is low . Ace and ass were pronounced alike : the first lord is quibbling . II . iii . 136. south - fog . ' Southerne winds vnbind humours & they cause heauinesse of ...
... reference is to cutting a pack of cards , upon which occasion only ace is low . Ace and ass were pronounced alike : the first lord is quibbling . II . iii . 136. south - fog . ' Southerne winds vnbind humours & they cause heauinesse of ...
Side 142
... reference is to Eneas's desertion of Dido , queen of Carthage ; cf. Vergil's Eneid , Bk . IV . Sinon , a Greek , with tears and protests deceived the Trojans , and persuaded them to take the wooden horse , filled with Greek sol- diers ...
... reference is to Eneas's desertion of Dido , queen of Carthage ; cf. Vergil's Eneid , Bk . IV . Sinon , a Greek , with tears and protests deceived the Trojans , and persuaded them to take the wooden horse , filled with Greek sol- diers ...
Side 145
... references to the gods explain the first phrase in the next line , ' Murder in heaven ! ' IV . ii . 313. Hecuba . Wife of Priam , king of Troy . In the player's recitation in Hamlet ( II . ii . 544 ff . ) , Shakespeare refers to ' the ...
... references to the gods explain the first phrase in the next line , ' Murder in heaven ! ' IV . ii . 313. Hecuba . Wife of Priam , king of Troy . In the player's recitation in Hamlet ( II . ii . 544 ff . ) , Shakespeare refers to ' the ...
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Arviragus attending Augustus Cæsar Belarius beseech blood Britain Britons brother Cadwal Cæsar call'd Cave cere court Cymbeline's Palace daughter dead death doth Dowden Enter Cloten Enter Cymbeline Enter Imogen Enter Pisanio Enter Posthumus Exeunt Exit eyes false father fear Folio fool Gaol Gaoler garment Gent gentleman give gods Gordian knot Grace Guiderius hast hath hear heart heaven Hecuba honour Iach Iachimo Julius Cæsar Jupiter king lady leave Leonatus look lord madam master Milford-Haven mistress mother never noble play poison'd Polydore poor Post pray princely prisoner prithee Procne Queen ring Roman Scene Shakespeare shalt Sici speak stand story sweet sword ta'en tender Tereus thee there's thing thou art thyself tribute true villain wager What's Wilt Winter's Tale woman word worthy
Populære passager
Side 62 - tis slander; Whose edge is sharper than the sword ; whose tongue Outvenoms all the worms of Nile; whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states, Maids, matrons, nay, the secrets of the grave This viperous slander enters.
Side 90 - Whilst summer lasts, and I live here, Fidele, I'll sweeten thy sad grave: Thou shalt not lack The flower, that's like thy face, pale primrose; nor The azur'd hare-bell, like thy veins; no, nor The leaf of eglantine, whom not to slander, Out-sweeten'd not thy breath...
Side 92 - Fear no more the frown o' the great: Thou art past the tyrant's stroke. Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this, and come to dust.