Discourse, Bind 342012 |
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Side 71
... turn their backs on a film that refused , because of Hol- lywood's Production Code , to figure Sebastian's homosexuality as overtly as did Williams's play . If and when we call Elizabeth Taylor a fag hag , we are on rela- tively safe ...
... turn their backs on a film that refused , because of Hol- lywood's Production Code , to figure Sebastian's homosexuality as overtly as did Williams's play . If and when we call Elizabeth Taylor a fag hag , we are on rela- tively safe ...
Side 81
... turns her own fatness and the weightiness of her material into light and effervescent humor . At the end of her rou- tines she tends to speechify : there is always a turn to an overt politi- cal agenda as she takes the stuff of ...
... turns her own fatness and the weightiness of her material into light and effervescent humor . At the end of her rou- tines she tends to speechify : there is always a turn to an overt politi- cal agenda as she takes the stuff of ...
Side 168
... turn the present - day Internet , where the definition of the word " network ” includes and is inextricable from local transmission . 17 The Internet did not directly evolve out of television networks . Nevertheless , the story of the ...
... turn the present - day Internet , where the definition of the word " network ” includes and is inextricable from local transmission . 17 The Internet did not directly evolve out of television networks . Nevertheless , the story of the ...
Indhold
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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aesthetic allusions animation animistic Asia as Method Asian becomes Bill Hicks Caillois camera Campion characters cinema cinematic identification comedy context critical critique describes desire diegetic discourse disembodied edited episode essay ethnic experience fag hag Family Guy fatigue Felisberto female fetishism figure Film Festival film studies film's filmmaking frame Freud Gesture Gilmore Girls global Hata Hata's human Ibid ilinx Invasion films Jetée La Jetée live Lorelai Malvina's Margaret Cho Mary Ann Doane mimesis modern modes mother and daughter movement narrative object onscreen Orientalism passion Passionless Moments Piano Tuner plants play pods political Pollack's film psychoanalysis Quays queer racial relation relationship representation Rory Rosetta Said's scene sense sexual shot Slavoj Žižek social space Spider-Man structure suggests television temporal term theory tion tiredness translated Tylor University Press vegetal viewer visual Walter Benjamin Wayne State University weariness Wendy Wendy's women York