Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Resultater 1-3 af 33
Side 29
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you .... " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if ...
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you .... " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if ...
Side 46
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
Side 67
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures