Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 45
... rhythm through deletions ( the Charleston ) or slurring ( Ragtime ) ; " false " rhythm , more or less a treatment of a com- mon time as a result of three & three & two eighth - notes , with the accent always on the first note of the ...
... rhythm through deletions ( the Charleston ) or slurring ( Ragtime ) ; " false " rhythm , more or less a treatment of a com- mon time as a result of three & three & two eighth - notes , with the accent always on the first note of the ...
Side 47
... rhythmic profiling of its melodies in accordance with the scansion of the composed verse lines is diametrically opposed to jazz practice only the per- vasive basic rhythm and the sound of the saxophone have any- thing to do with jazz in ...
... rhythmic profiling of its melodies in accordance with the scansion of the composed verse lines is diametrically opposed to jazz practice only the per- vasive basic rhythm and the sound of the saxophone have any- thing to do with jazz in ...
Side 65
... rhythm of his arbitrariness is subordinated without a rupture to a greater , more lawful rhythm ; and his failure is located not below , but above the standard : to obey the law and yet be different . This type of behavior is taken over ...
... rhythm of his arbitrariness is subordinated without a rupture to a greater , more lawful rhythm ; and his failure is located not below , but above the standard : to obey the law and yet be different . This type of behavior is taken over ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures