Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 34
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
Side 35
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
Side 71
... present with beams of light , but which has not been authorized to paint out a picture of that future . The power of the future is revealed , on the contrary , in the constel- lation of the present . Just as in Kafka's novels the ...
... present with beams of light , but which has not been authorized to paint out a picture of that future . The power of the future is revealed , on the contrary , in the constel- lation of the present . Just as in Kafka's novels the ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures