Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 28
... material . But since Cage's own interest in expressivity was likely to impose restrictions and even exclusions among this material , he decided to give up his subjectivity in such a way as to save and even reinforce continuity . Cage ...
... material . But since Cage's own interest in expressivity was likely to impose restrictions and even exclusions among this material , he decided to give up his subjectivity in such a way as to save and even reinforce continuity . Cage ...
Side 56
... material in order to give rise to a subjective proclamation . The stimulation and the artistic piece , the new color and the new rhythm are merely inserted along with the banal — just as the jazz vibrato is inserted into the rigid sound ...
... material in order to give rise to a subjective proclamation . The stimulation and the artistic piece , the new color and the new rhythm are merely inserted along with the banal — just as the jazz vibrato is inserted into the rigid sound ...
Side 57
... material is thus in no sense the result of its technical mastery , but , instead , through it , anar- chy intervenes in the process of production . It does not master the original material so much as remain independent of it and its ...
... material is thus in no sense the result of its technical mastery , but , instead , through it , anar- chy intervenes in the process of production . It does not master the original material so much as remain independent of it and its ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures