Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 54
... individual nuance and seen from the point of view of the individual as chance whenever it specifically expresses ( al- ways almost unconsciously ) objective social tendencies , i.e. , when it is precisely not individual nuance ...
... individual nuance and seen from the point of view of the individual as chance whenever it specifically expresses ( al- ways almost unconsciously ) objective social tendencies , i.e. , when it is precisely not individual nuance ...
Side 60
... individual element which is inserted into jazz through impressionism does not generate or have control over itself . It has become rigid , formulaic , spent the individual elements are now in just the same position as social convention ...
... individual element which is inserted into jazz through impressionism does not generate or have control over itself . It has become rigid , formulaic , spent the individual elements are now in just the same position as social convention ...
Side 63
... individuals as its public . The intended , unconscious process which the public performs is thus one of establishing identification . The individual in the audience ex- periences himself primarily as a couplet - ego , and then feels ...
... individuals as its public . The intended , unconscious process which the public performs is thus one of establishing identification . The individual in the audience ex- periences himself primarily as a couplet - ego , and then feels ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures