Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 26
... Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . 10 Jean Cocteau ...
... Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . 10 Jean Cocteau ...
Side 45
... notes , with the accent always on the first note of the group which stands out as a " false " beat ( Scheintakt ) from the principal rhythm ; finally , the " break , " a cadence which is similar to an improvisation , mostly at the end ...
... notes , with the accent always on the first note of the group which stands out as a " false " beat ( Scheintakt ) from the principal rhythm ; finally , the " break , " a cadence which is similar to an improvisation , mostly at the end ...
Side 76
... note to the last , is dedicated to the shock which the sudden representation of the disintegrated bourgeois world ... notes with the good beat of old music hall songs which we hardly recognize anymore but are nonetheless remembered as ...
... note to the last , is dedicated to the shock which the sudden representation of the disintegrated bourgeois world ... notes with the good beat of old music hall songs which we hardly recognize anymore but are nonetheless remembered as ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures