Discourse: Journal for Theoretical Studies in Media and Culture, Bind 12,Del 1Indiana University Press, 1989 |
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Side 111
... Anderson wrestles with technology , she displaces the male subject who usually enacts that heroic feat . And by setting up an implied alliance and identification with the machine , she raises the conventional anxiety of the self ...
... Anderson wrestles with technology , she displaces the male subject who usually enacts that heroic feat . And by setting up an implied alliance and identification with the machine , she raises the conventional anxiety of the self ...
Side 121
... Anderson has said : “ I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " ' " 2 ...
... Anderson has said : “ I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " ' " 2 ...
Side 124
... Anderson , United States ( New York : Harper , 1984 ) n . pag . 2 See also Anderson's piece " Hey Ah , " also in United States , in which a Native American is asked to sing for a documentary and finds he no longer knows any of the ...
... Anderson , United States ( New York : Harper , 1984 ) n . pag . 2 See also Anderson's piece " Hey Ah , " also in United States , in which a Native American is asked to sing for a documentary and finds he no longer knows any of the ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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Adorno aesthetic American anarchistic anarchy Andreas Huyssen artistic audience avant-garde basic Benjamin Boeuf bohemian bourgeois Brighton Rock Burgess Cage's Catherine Clément Chicago chords Clément Clockwork Orange Cocteau commodity composer composition Creation critical cultural studies dance deconstruction détournement Dick Hebdige discourse elements essay everyday expressed film flâneur gender GESTURE BLOCK Greene's harmonic Hebdige Hebdige's images individual intertextual space issues jazz John Cage language Laurie Anderson Lettrist literary literature London MacInnes MacInnes's Mahagonny Marcus mass culture Milhaud Minneapolis Minnesota modern modernist montage movement narrative novel object opera performance piece Politics popular culture popular music Postmodernism postwar practice precisely present production punk reality recent rhythm Rolling Stones Routledge salon music sense Sex Pistols sexual shock Situationist social song SOUND BLOCK Stravinsky style Superman Susan McClary syncopation Tenney theory tion tonal traditional trans University voice Voici le langage woman women York youth subcultures