Modern Art, 19th and 20th CenturiesG. Braziller, 1978 - 277 sider |
Fra bogen
Resultater 1-3 af 45
Side 195
... representation of objects , as a rendering of the surface aspect of nature , the practice of abstract design as a ... representation is . There is no passive , " photographic " representation in the sense described ; the scientific ...
... representation of objects , as a rendering of the surface aspect of nature , the practice of abstract design as a ... representation is . There is no passive , " photographic " representation in the sense described ; the scientific ...
Side 205
... representation of a mood and not as a representation of objects " ( Barr , p . 66 ) . More recently he has written : " Today a point sometimes says more in a painting than a human figure . . . . Man has developed a new faculty which ...
... representation of a mood and not as a representation of objects " ( Barr , p . 66 ) . More recently he has written : " Today a point sometimes says more in a painting than a human figure . . . . Man has developed a new faculty which ...
Side 215
... representation discovered wholly new fields of form - construction and expression ( including new possibilities of imaginative representation ) which entailed a new attitude to art itself . The artist came to believe that what was ...
... representation discovered wholly new fields of form - construction and expression ( including new possibilities of imaginative representation ) which entailed a new attitude to art itself . The artist came to believe that what was ...
Indhold
CEZANNE | 1 |
COURBET AND POPULAR IMAGERY | 47 |
ON A PAINTING OF VAN GOGH | 87 |
Copyright | |
11 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
abstract art abstract painting academic art aesthetic Alfred Stieglitz American appears apples architecture Armory Show Arshile Gorky artists aspect bars beauty Broadway Boogie-Woogie Cézanne Cézanne's Chagall Chagall's Champfleury color common composition conception contemporary Courbet criticism Cubist culture drawing elements European exhibition experience expression feeling field figure forms freedom geometric Gogh Gorky grid Gustave Courbet human Ibid ideal ideas imagery imagination imitation Impressionism Impressionists individual Ingres interest landscape later Léger lines Matisse ment Michael Noll modern art Mondrian mood movement Museum of Modern nature Neo-Impressionist nineteenth century nude objects older painter painting and sculpture Paris Paul Cézanne Picasso picture popular primitive pure qualities random reaction realistic representation represented reproduced scene seems sense Seuphor Seurat shapes social space square still-life style subjects symbolic taste themes tion tive tradition units values vertical and horizontal vision whole woman York Zola