Madness in LiteraturePrinceton University Press, 21. mar. 1983 - 331 sider To probe the literary representation of the alienated mind, Lillian Feder examines mad protagonists of literature and the work of writers for whom madness is a vehicle of self-revelation. Ranging from ancient Greek myth and tragedy to contemporary poetry, fiction, and drama, Professor Feder shows how literary interpretations of madness, as well as madness itself, reflect the very cultural assumptions, values, and prohibitions they challenge. |
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accept actual adaptations Aeschylus aesthetic aggression Ajax Allen Ginsberg ancient Artaud Aschenbach Bacchae Bedlam chorus concept conflict consciousness convey Cowper creation Death in Venice delusions depicts describes Dionysiac Dionysiac frenzy Dionysus Dodds drama dream Dream Songs emerges emotional Erinyes Euripides experience exploration expression fantasies feelings Freud function Ginsberg Greek guilt H. T. Lowe-Porter hallucinations human Ibid imagination impulses inner insanity instinctual interpretation irrational Kaddish King Lear language Lear's Leverkühn literary literature madness manifestations Mann's means mental mind myth mythical nature Nerval ness Nietzsche Nietzsche's obsessive Oresteia Orestes Pentheus Plath poem poet poetry primitive primordial processes psychic psychoanalytic psychological rational reality religious repressed reveals rites ritual role says seems sion Smart social society soul sparagmos spleen struggle suicide surrealists Sylvia Plath symbolic symptoms theory Thomas Mann thought tion Tiresias trans transformation uncon unconscious University Press violence vision wild William Cowper York