The Works of Alexander Pope, Esq: With Notes and Illustrations by Himself and Others. To which are Added, a New Life of the Author, an Estimate of His Poetical Character and Writings, and Occasional Remarks,, Bind 6C. and J. Rivington; T. Cadell; Longman, Hurst, Rees, Orme, Brown, and Green; J. Cuthell; J. Nunn; ... [and 25 others in London]; and Deighton and Sons, Cambridge; and A. Black, and J. Fairbairn, Edinburgh., 1824 |
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... Epistle to Dr. Arbuthnot , a Prologue to the Sa- tires Satires and Epistles of Horace imitated . Book II . Satire I. To Mr. Fortescue Book II . Satire II . To Mr. Bethel Epistles imitated from Horace . · Epistle I. Book I. To Lord ...
... Epistle to Dr. Arbuthnot , a Prologue to the Sa- tires Satires and Epistles of Horace imitated . Book II . Satire I. To Mr. Fortescue Book II . Satire II . To Mr. Bethel Epistles imitated from Horace . · Epistle I. Book I. To Lord ...
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... Epistle of the First Book of Horace The Translator The Looking Glass • A Farewell to London , 1715 Prologue designed for Mr. D'Urfey's last play Prologue to the Three Hours after Marriage Sandys ' Ghost Umbra Page • . 430 . 435 445 ...
... Epistle of the First Book of Horace The Translator The Looking Glass • A Farewell to London , 1715 Prologue designed for Mr. D'Urfey's last play Prologue to the Three Hours after Marriage Sandys ' Ghost Umbra Page • . 430 . 435 445 ...
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... Epistle of the First Book of Horace The Translator The Looking Glass A Farewell to London , 1715 Prologue designed for Mr. D'Urfey's last play Prologue to the Three Hours after Marriage Sandys ' Ghost Umbra Sylvia , a Fragment Page 430 ...
... Epistle of the First Book of Horace The Translator The Looking Glass A Farewell to London , 1715 Prologue designed for Mr. D'Urfey's last play Prologue to the Three Hours after Marriage Sandys ' Ghost Umbra Sylvia , a Fragment Page 430 ...
Side 30
... indifference, elevation and ridicule, with which he treats the various subjects that occur in his Satires, entitle him at once to our admiration, our confidence, and our esteem. EPISTLE TO DR. ARBUTHNOT: OR PROLOGUE TO THE SATIRES. " .30.
... indifference, elevation and ridicule, with which he treats the various subjects that occur in his Satires, entitle him at once to our admiration, our confidence, and our esteem. EPISTLE TO DR. ARBUTHNOT: OR PROLOGUE TO THE SATIRES. " .30.
Side 28
... Epistles steered with considerable skill ; and , whilst he openly prides himself on those parts of his character which are entitled to admiration , takes care not to debase himself by any thing that is vulgar , indecorous , or ...
... Epistles steered with considerable skill ; and , whilst he openly prides himself on those parts of his character which are entitled to admiration , takes care not to debase himself by any thing that is vulgar , indecorous , or ...
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Addison admirable Alluding amiable atque Augustus Ben Jonson Bishop Boileau Bowles called character Cibber Corneille corruption court Cùm divine Donne Dryden Dunciad Earl elegance English Epistle excellent folly fool genius give grace hath heart honour Horace humour imitation king Lady language laugh laws learned letter lines live Lord Lord Bolingbroke Lord Cornbury Lord Fanny Lucilius Lucullus ludicra malè manner mihi Milton mind Molière moral Muse nature never NOTES numbers nunc o'er original passage passions person Pindaric pleased poem poet poet's poetic poetry Pope Pope's praise quæ quàm Queen Quid Quintilian quod rage rhyme ridicule satire says sense Shakespear shew Sir Robert Walpole soul spirit style Swift tamen taste thing thou thought tibi tragedy translation true truth verse vice virtue Voltaire Warburton Warton Whig words writ write wrote
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Side 173 - For modes of faith let graceless zealots fight; His can't be wrong whose life is in the right...
Side 37 - A clerk, foredoom'd his father's soul to cross, Who pens a stanza, when he should engross?
Side 78 - A cherub's face, a reptile all the rest; Beauty that shocks you, parts that none will trust, Wit that can creep, and pride that licks the dust.
Side 32 - Me, let the tender office long engage, To rock the cradle of reposing age, With lenient arts extend a mother's breath, Make languor smile, and smooth the bed of death, Explore the thought, explain the asking eye, And keep a while one parent from the sky!
Side 36 - tis past a doubt, All Bedlam, or Parnassus, is let out: Fire in each eye, and papers in each hand, They rave, recite, and madden round the land. What walls can guard me, or what shades can hide? They pierce my thickets, through my grot they glide, By land, by water, they renew the charge, They stop the chariot, and they board the barge.
Side 71 - Oh let me live my own, and die so too ! (To live and die is all I have to do:) Maintain a Poet's dignity and ease, And see what friends, and read what books I please : Above a Patron, tho...
Side 410 - ... sermo oritur, non de villis domibusve alienis, nee male necne Lepos saltet ; sed quod magis ad nos pertinet et nescire malum est agitamus : utrumne divitiis homines an sint virtute beati ; quidve ad amicitias, usus rectumne, trahat nos ; 75 et quae sit natura boni summumque quid eius.
Side 202 - But for the wits of either Charles's days, The mob of gentlemen who wrote with ease ; Sprat, Carew, Sedley, and a hundred more, (Like twinkling stars the miscellanies o'er) One simile, that solitary shines In the dry desert of a thousand lines, Or lengthen'd thought that gleams through many a page, Has sanctified whole poems for an age.
Side 460 - So bright is thy beauty, so charming thy song, As had drawn both the beasts and their Orpheus along : But such is thy avarice, and such is thy pride, That the beasts must have starved, and the poet have died. THE BALANCE OF EUROPE. Now Europe balanced, neither side prevails ; For nothing's left in either of the scales.
Side 39 - twas when he knew no better. Dare you refuse him? Curll invites to dine; He'll write a journal, or he'll turn divine." Bless me! a packet. — " 'Tis a stranger sues, A virgin tragedy, an orphan muse." If I dislike it, "Furies, death and rage!" If I approve, "Commend it to the stage.