Dwight's Journal of Music, Bind 13–14D.L. Balch, 1859 |
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Side
299 ..229 ..371 221 212 .366 .199 366 Artists and Agents , their Relations to the Press , .222 208 38 43 236 Household Book of Poetry ... Artist's Receptions ,. Louisville , ( Ky . ) , . 23 357 . Marion , ( Ala . ) ,. 157 Harwood , Mrs ...
299 ..229 ..371 221 212 .366 .199 366 Artists and Agents , their Relations to the Press , .222 208 38 43 236 Household Book of Poetry ... Artist's Receptions ,. Louisville , ( Ky . ) , . 23 357 . Marion , ( Ala . ) ,. 157 Harwood , Mrs ...
Side 3
... artist , with a good artistical conscience , and not know Ger- many and its musical masters , would indeed be as great a loss for the artist , as it would to the public , before whom he ought to wish to give a right impres- sion . " I ...
... artist , with a good artistical conscience , and not know Ger- many and its musical masters , would indeed be as great a loss for the artist , as it would to the public , before whom he ought to wish to give a right impres- sion . " I ...
Side 8
... artists , and also contains , if I am not mistaken , dwelling accommodations for such of these sons and daughters of ... artist followers of the two Muses . Mr. Satter showed himself in a variety of styles . The concert opened with the ...
... artists , and also contains , if I am not mistaken , dwelling accommodations for such of these sons and daughters of ... artist followers of the two Muses . Mr. Satter showed himself in a variety of styles . The concert opened with the ...
Side 10
... artist could derive benefit , or which could in the least degree assist the public in forming their opinion . One paper , in the beginning , with a very slightly disguised opposition to Maretzek's undertaking , hazarded some technical ...
... artist could derive benefit , or which could in the least degree assist the public in forming their opinion . One paper , in the beginning , with a very slightly disguised opposition to Maretzek's undertaking , hazarded some technical ...
Side 13
... artistic , chaste , expressive , - allowing something of course for the com- His voice is not robust , not great ; but in monplace cadenzas of all English singers . such music we have rarely heard a more de- lightful artist . Thy rebuke ...
... artistic , chaste , expressive , - allowing something of course for the com- His voice is not robust , not great ; but in monplace cadenzas of all English singers . such music we have rarely heard a more de- lightful artist . Thy rebuke ...
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admirable Arabella Goddard aria artist Athenæum audience Bach band beautiful Beethoven Boston character charming choir choral chorus church color composer composition concert contralto Don Giovanni Donizetti donna duet Dwight's Journal effect English expression feeling Festival French friends fugue genius German give grand Hall Handel Haydn hear heard heart Herr Huguenots Hymn Il Trovatore instruments Italian Opera Journal of Music lady London Lucrezia Borgia Madame Majesty's Theatre master melody Mendelssohn ment Meyerbeer Miss Mozart musician never night oratorio orchestra Overture Paris performance pianist piano piano-forte piece played popular praise present prima donna programme pupils Quartet Rossini sang season seems Signor Sims Reeves singers singing Society solo Sonata song soprano style success sung sweet Symphony taste tenor theatre thing tion Titiens tone Trio tune Verdi violin vocal voice week whole words young
Populære passager
Side 97 - WHERE sunless rivers weep Their waves into the deep, She sleeps a charmed sleep : Awake her not. Led by a single star, She came from very far To seek where shadows are Her pleasant lot. She left the rosy morn, She left the fields of corn, For twilight cold and lorn And water springs. Through sleep, as through a veil She sees the sky look pale, And hears the nightingale That sadly sings. Rest, rest, a perfect rest Shed over brow and breast ; Her face is toward the west, The purple land.
Side 189 - Suppose that I were to visit a cottage, and to see its walls lined with the choicest pictures of Raphael, and every spare nook filled with statues of the most exquisite workmanship, and that I were to learn that neither man, woman, nor child, ever cast an eye at these miracles of art, how should I feel their privation ; how should I want to open their eyes, and to help them to comprehend and feel the loveliness and grandeur which in vain courted their notice ! But every husbandman is living in sight...
Side 9 - A FAREWELL MY fairest child, I have no song to give you; No lark could pipe to skies so dull and grey: Yet, ere we part, one lesson I can leave you For every day. Be good, sweet maid, and let who will be clever; Do noble things, not dream them, all day long: And so make life, death, and that vast for-ever One grand, sweet song.
Side 204 - Ah ! what would the world be to us If the children were no more ? We should dread the desert behind us Worse than the dark before. What the leaves are to the forest, With light and air for food, Ere their sweet and tender juices Have been hardened into wood, — That to the world are children ; Through them it feels the glow Of a brighter and sunnier climate Than reaches the trunks below.
Side 167 - United States! the ages plead — Present and Past in under-song — Go put your creed into your deed, Nor speak with double tongue. For sea and land don't understand, Nor skies without a frown See rights for which the one hand fights By the other cloven down.
Side 128 - That palter with us in a double sense ; That keep the word of promise to our ear, And break it to our hope.
Side 189 - ... tends to give a grossness to the mind. From the diffusion of the sense of beauty in ancient Greece, and of the taste for music in modern Germany, we learn that the people at large may partake of refined gratifications, which have hitherto been thought to be necessarily restricted to a few.
Side 119 - That tall Man, a giant in bulk and in height, Not an inch of his body is free from delight ; Can he keep himself still, if he would ? oh, not he ! The music stirs in him like wind through a tree.
Side 189 - Beauty is an all-pervading presence. It unfolds in the numberless flowers of the spring. It waves in the branches of the trees and the green blades of grass. It haunts the depths of the earth and sea, and gleams out in the hues of the shell and the precious stone.
Side 205 - THE VOICELESS WE count the broken lyres that rest Where the sweet wailing singers slumber, But o'er their silent sister's breast The wild-flowers who will stoop to number? A few can touch the magic string, And noisy Fame is proud to win them : — Alas for those that never sing, But die with all their music in them ! Nay, grieve not for the dead alone Whose song has told their hearts...