Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 12
... witches are met in appropriately foul weather . More forebodingly , the wailing voice forecasts a second meeting of this unholy trio under similar circumstances . That these withered crones are witches will be im- mediately recognizable ...
... witches are met in appropriately foul weather . More forebodingly , the wailing voice forecasts a second meeting of this unholy trio under similar circumstances . That these withered crones are witches will be im- mediately recognizable ...
Side 13
... witches truly prophetic ? Elizabethan witches were assumed to have such powers . Clearly , their words had better be attended to . But warily . One of these words reveals a curious tone and attitude . The second witch refers to what we ...
... witches truly prophetic ? Elizabethan witches were assumed to have such powers . Clearly , their words had better be attended to . But warily . One of these words reveals a curious tone and attitude . The second witch refers to what we ...
Side 14
... witches . 1 Witch Where the place ? 2 Witch Upon the heath . And then the third witch names the fateful occasion : the meeting with Macbeth . The named place is a heath . This word conveys two sinister meanings : it signifies a ...
... witches . 1 Witch Where the place ? 2 Witch Upon the heath . And then the third witch names the fateful occasion : the meeting with Macbeth . The named place is a heath . This word conveys two sinister meanings : it signifies a ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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