Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 68
... unity that invests the very long second scene in Act II of Hamlet . Not only do its 591 lines make it one of the ... unity of the play's opening scene . But it does , on examina- tion , prove to have unity of plot and theme . We can ...
... unity that invests the very long second scene in Act II of Hamlet . Not only do its 591 lines make it one of the ... unity of the play's opening scene . But it does , on examina- tion , prove to have unity of plot and theme . We can ...
Side 91
... unity of meaning , a unity that transcends their more superficial differences of action and event . A variation of this technique may be discovered in Twelfth Night , perhaps as notable an achievement in the genre of romantic comedy as ...
... unity of meaning , a unity that transcends their more superficial differences of action and event . A variation of this technique may be discovered in Twelfth Night , perhaps as notable an achievement in the genre of romantic comedy as ...
Side 106
... unity . Equally obvious , and always a unifying force despite Aristotle's subordination of it , is the focus on a ... unity of Shakespeare's plays in his poetry . ( We will devote portions of a later chapter to this aspect of ...
... unity . Equally obvious , and always a unifying force despite Aristotle's subordination of it , is the focus on a ... unity of Shakespeare's plays in his poetry . ( We will devote portions of a later chapter to this aspect of ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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