Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 113
The Making and Performing of Shakespeare's Plays William Gordon Leary. 6 THEME AND MEANING It is a theme as fluent as the sea . ( Henry V , III , vii , 32 ) Several chapters in this book begin by focusing attention on the definition of ...
The Making and Performing of Shakespeare's Plays William Gordon Leary. 6 THEME AND MEANING It is a theme as fluent as the sea . ( Henry V , III , vii , 32 ) Several chapters in this book begin by focusing attention on the definition of ...
Side 119
... theme . Applying this definition of theme , one would be right to conclude that at the center of each individual work of liter- ary art one may discover a unique theme . ( A combination of common sense and modesty might also suggest ...
... theme . Applying this definition of theme , one would be right to conclude that at the center of each individual work of liter- ary art one may discover a unique theme . ( A combination of common sense and modesty might also suggest ...
Side 135
... theme was the most important element in 1 Henry IV , and quite correctly- that the character of Prince Hal is both pivotal and focal to an understanding of the play's theme , then one would be compelled to conclude that Shakespeare's ...
... theme was the most important element in 1 Henry IV , and quite correctly- that the character of Prince Hal is both pivotal and focal to an understanding of the play's theme , then one would be compelled to conclude that Shakespeare's ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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