Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 6
... provides nearly all of the necessary cues for performing his plays in the speeches he gives his players to say , keen readers — even those with no professional training in the theater - can learn to stage in their imaginations a ...
... provides nearly all of the necessary cues for performing his plays in the speeches he gives his players to say , keen readers — even those with no professional training in the theater - can learn to stage in their imaginations a ...
Side 24
... provides us with a kind of revelation . These two move toward an inevitable tragedy in their attempts to realize a transcendental love in a sublunary world . Of course they fail . When the play is over and the shock of their death has ...
... provides us with a kind of revelation . These two move toward an inevitable tragedy in their attempts to realize a transcendental love in a sublunary world . Of course they fail . When the play is over and the shock of their death has ...
Side 73
... provides a clear illustration of both this practice and the probable reasons for it . In the first three scenes of that play , Shakespeare has fairly launched two major plots and sketched two different worlds : the bond plot , with all ...
... provides a clear illustration of both this practice and the probable reasons for it . In the first three scenes of that play , Shakespeare has fairly launched two major plots and sketched two different worlds : the bond plot , with all ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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