Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 65
... practice and sought to improve on it . By the time such important reference books as the Shake- speare concordances ( listing every use of every substantive word ) and the variorum volumes ( containing almost all con- ceivable readings ...
... practice and sought to improve on it . By the time such important reference books as the Shake- speare concordances ( listing every use of every substantive word ) and the variorum volumes ( containing almost all con- ceivable readings ...
Side 87
... practices . In one or two times and places — notably in French tragic theater of the seventeenth century — it was taken seriously . And individual plays of any period ( includ- ing Shakespeare's The Comedy of Errors ) may exemplify its ...
... practices . In one or two times and places — notably in French tragic theater of the seventeenth century — it was taken seriously . And individual plays of any period ( includ- ing Shakespeare's The Comedy of Errors ) may exemplify its ...
Side 193
... practice of ending a sentence - sometimes even a speech - in the middle of a verse line . The first lines of both of the preceding quotations illustrate the practice : new sentences begin where the previous sentences broke off , in mid ...
... practice of ending a sentence - sometimes even a speech - in the middle of a verse line . The first lines of both of the preceding quotations illustrate the practice : new sentences begin where the previous sentences broke off , in mid ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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