Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 5
... Playgoers are always the momentary captives of the direc- tor whose production they are viewing . If the director is a meddler with Shakespeare and the playgoers know it , they can do little but groan in their chains for the duration of ...
... Playgoers are always the momentary captives of the direc- tor whose production they are viewing . If the director is a meddler with Shakespeare and the playgoers know it , they can do little but groan in their chains for the duration of ...
Side 21
... playgoers as they are to dramatists : ( 1 ) what a character does , ( 2 ) what he says , ( 3 ) how he says it , and ( 4 ) what others say about him . Petruchio establishes himself as a masterful man by taming a shrew . Richard III says ...
... playgoers as they are to dramatists : ( 1 ) what a character does , ( 2 ) what he says , ( 3 ) how he says it , and ( 4 ) what others say about him . Petruchio establishes himself as a masterful man by taming a shrew . Richard III says ...
Side 73
... playgoers ' minds of the passage of time . And although on close examination it becomes apparent that the clock time in one world is wildly different from the clock time in the other , this discrepancy is never noticed by playgoers and ...
... playgoers ' minds of the passage of time . And although on close examination it becomes apparent that the clock time in one world is wildly different from the clock time in the other , this discrepancy is never noticed by playgoers and ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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