Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 3
... performance . So we begin with what readers and spectators of Shakespear- ean plays must have in common - what they should be able to see and hear , whether on a live stage or in the mind's eye and the inner ear . A play performed is a ...
... performance . So we begin with what readers and spectators of Shakespear- ean plays must have in common - what they should be able to see and hear , whether on a live stage or in the mind's eye and the inner ear . A play performed is a ...
Side 5
... performance . They may have to endure such a monument of tasteless exhibitionism and ingenuity gone to seed as that production of The Merchant of Venice which featured a homosexual Bassanio torn between allegiance to his gay companion ...
... performance . They may have to endure such a monument of tasteless exhibitionism and ingenuity gone to seed as that production of The Merchant of Venice which featured a homosexual Bassanio torn between allegiance to his gay companion ...
Side 227
... performance , and from a window in one of these huts sounded the trum- pet that notified all within earshot that " the play is begin- ning . " Sir Philip Sidney once spoke of the peculiar power of a good story to hold old men from their ...
... performance , and from a window in one of these huts sounded the trum- pet that notified all within earshot that " the play is begin- ning . " Sir Philip Sidney once spoke of the peculiar power of a good story to hold old men from their ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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