Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 155
... patterns of rhetoric - to hear the pattern of assonance in the long e of the first two lines , to hear the pattern of alliteration in the sh of shall and she and the s of Susan and souls of lines 2 and 3 , to hear the repetitions of ...
... patterns of rhetoric - to hear the pattern of assonance in the long e of the first two lines , to hear the pattern of alliteration in the sh of shall and she and the s of Susan and souls of lines 2 and 3 , to hear the repetitions of ...
Side 174
... patterns but will rather find the significance of the image patterns just so far as these can be demonstrated to be integrated into the whole play . Common sense tells us why this must be so . The recognition and tracing of verbal image ...
... patterns but will rather find the significance of the image patterns just so far as these can be demonstrated to be integrated into the whole play . Common sense tells us why this must be so . The recognition and tracing of verbal image ...
Side 243
... patterns from which we may draw interesting - and sometimes amusing- inferences concerning the probable effects on ... patterns - patterns of roles and casting rooted in the practical requirements of the workaday theater - would emerge ...
... patterns from which we may draw interesting - and sometimes amusing- inferences concerning the probable effects on ... patterns - patterns of roles and casting rooted in the practical requirements of the workaday theater - would emerge ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Begrænset visning - 1993 |