Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 147
The Making and Performing of Shakespeare's Plays William Gordon Leary. Reading this passage aloud , we can hear the workings of the rhetorical patterns we have been discussing . Looking closely at the passage , we see the patterns we ...
The Making and Performing of Shakespeare's Plays William Gordon Leary. Reading this passage aloud , we can hear the workings of the rhetorical patterns we have been discussing . Looking closely at the passage , we see the patterns we ...
Side 169
... passage from Macbeth — a passage so rich in imagery and metaphor that although we immediately recall it , we may have forgotten that it contains among its many images still another from the stage . Macbeth To - morrow , and to - morrow ...
... passage from Macbeth — a passage so rich in imagery and metaphor that although we immediately recall it , we may have forgotten that it contains among its many images still another from the stage . Macbeth To - morrow , and to - morrow ...
Side 170
... passage in which this sym- bol of all conscious sin is made articulate that later writers have seized on some of its images to use as titles that epitomize ( and therefore symbolize ) an imaginative creation of their own . Thus , Robert ...
... passage in which this sym- bol of all conscious sin is made articulate that later writers have seized on some of its images to use as titles that epitomize ( and therefore symbolize ) an imaginative creation of their own . Thus , Robert ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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