Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 69
... once- pure prince and the criminal king employ the same kind of devious stratagems in their duel of mighty opposites ... once as it affects a great man greatly gifted with the eloquence to give voice to his suffering and once as it ...
... once- pure prince and the criminal king employ the same kind of devious stratagems in their duel of mighty opposites ... once as it affects a great man greatly gifted with the eloquence to give voice to his suffering and once as it ...
Side 70
... once again wished to universalize the significance of his story and once again elected to do so by the juxtaposition of scenes that serve as reflectors . Just prior to this tavern scene , we watched three noblemen ( Northumberland ...
... once again wished to universalize the significance of his story and once again elected to do so by the juxtaposition of scenes that serve as reflectors . Just prior to this tavern scene , we watched three noblemen ( Northumberland ...
Side 118
... Once again , we must carefully distinguish between this conclusion and a false corollary that has proven fatally easy to attach to it : Shakespeare's constant concern is with prob- lems of good and evil , but he is never concerned with ...
... Once again , we must carefully distinguish between this conclusion and a false corollary that has proven fatally easy to attach to it : Shakespeare's constant concern is with prob- lems of good and evil , but he is never concerned with ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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