Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 77
... natural kind , as in King Lear , or of the super- natural variety , as is the one reported by Casca in Julius Caesar . The emphasis on unlocalized scenes dovetails perfectly with the nearly bare stage Shakespeare favored . Unencum ...
... natural kind , as in King Lear , or of the super- natural variety , as is the one reported by Casca in Julius Caesar . The emphasis on unlocalized scenes dovetails perfectly with the nearly bare stage Shakespeare favored . Unencum ...
Side 199
... natural in thine art . " All of Shakespeare's other achievements with language abide our question . This one alone cannot be fully explained - only illustrated . Here is one of the earliest examples of “ natural Verse and Prose 199.
... natural in thine art . " All of Shakespeare's other achievements with language abide our question . This one alone cannot be fully explained - only illustrated . Here is one of the earliest examples of “ natural Verse and Prose 199.
Side 219
... natural to want to think so , for both the letter O and the theater's name , the Globe , suggest the same spherical structure . And it is also pleas- antly fitting to think so , for Henry V was first performed in 1599 , the very year in ...
... natural to want to think so , for both the letter O and the theater's name , the Globe , suggest the same spherical structure . And it is also pleas- antly fitting to think so , for Henry V was first performed in 1599 , the very year in ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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