Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 178
... lines . Examin- ing the individual plays , we discover that they range ( in round numbers ) from a high of 3,700 lines ( Hamlet ) to a low of 1,750 lines ( The Comedy of Errors ) , with an average length of 2,700 lines ( The Merchant of ...
... lines . Examin- ing the individual plays , we discover that they range ( in round numbers ) from a high of 3,700 lines ( Hamlet ) to a low of 1,750 lines ( The Comedy of Errors ) , with an average length of 2,700 lines ( The Merchant of ...
Side 191
... line . One is to propel the flow of meaning from one line to the next so that the anticipated pause at the end of the line is overcome by the rush of meaning . Such lines are called run on . Richard , Duke of Gloucester , later Richard ...
... line . One is to propel the flow of meaning from one line to the next so that the anticipated pause at the end of the line is overcome by the rush of meaning . Such lines are called run on . Richard , Duke of Gloucester , later Richard ...
Side 192
... lines . In addition to the unstressed final syllable , Shakespeare added another device to promote run - on lines . By employing at the ends of lines words with no semantic significance— prepositions , conjunctions , relative pronouns ...
... lines . In addition to the unstressed final syllable , Shakespeare added another device to promote run - on lines . By employing at the ends of lines words with no semantic significance— prepositions , conjunctions , relative pronouns ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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