Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 22
... later , she explains that she could not murder Duncan as he slept because he too closely resembled her own father . And again , after the murder of Duncan , Lady Macbeth says confidently to her bloody handed hus- band , " A little water ...
... later , she explains that she could not murder Duncan as he slept because he too closely resembled her own father . And again , after the murder of Duncan , Lady Macbeth says confidently to her bloody handed hus- band , " A little water ...
Side 95
... later offered to the newly literate mass audiences of emerging democratic societies . Shakespeare inherited both his popular audiences and the dramatic practices that were shaped by their love of story . One has only to recall the ...
... later offered to the newly literate mass audiences of emerging democratic societies . Shakespeare inherited both his popular audiences and the dramatic practices that were shaped by their love of story . One has only to recall the ...
Side 235
... later confirms this plan in her remark to Juliet . Nurse Hie you to church ; I must another way , To fetch a ladder , by the which your love Must climb a bird's nest soon when it is dark . ( II , v , 72-74 ) Then , still later , when ...
... later confirms this plan in her remark to Juliet . Nurse Hie you to church ; I must another way , To fetch a ladder , by the which your love Must climb a bird's nest soon when it is dark . ( II , v , 72-74 ) Then , still later , when ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
Henvisninger til denne bog
Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Begrænset visning - 1993 |