Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 84
... human behavior that the playwright finds arresting . The interrelationship of these three principles in operation yields something like a useful definition of plot : human experience imaged as human actions that are concentrated ...
... human behavior that the playwright finds arresting . The interrelationship of these three principles in operation yields something like a useful definition of plot : human experience imaged as human actions that are concentrated ...
Side 123
... human fevers of its day , but it does not " take notes " on them . Its eye is on the " ever - fixèd mark " of universal hu- manity and is not confined to the particularity of the mo- ment . Thus Shakespeare , as a major artist , could ...
... human fevers of its day , but it does not " take notes " on them . Its eye is on the " ever - fixèd mark " of universal hu- manity and is not confined to the particularity of the mo- ment . Thus Shakespeare , as a major artist , could ...
Side 124
... human be- havior that no writer can long avoid them . Appropriately , these universal themes may best be identified by declaring the problems they pose — as , for example , the age - old prob- lem of determining if human actions are the ...
... human be- havior that no writer can long avoid them . Appropriately , these universal themes may best be identified by declaring the problems they pose — as , for example , the age - old prob- lem of determining if human actions are the ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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