Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 31
... give her father the clear and unequivocal reply he expects . Never famous for his composure , he explodes : How , how , how , how , chopped logic ? What is this ? " Proud " and " I thank you " -and " I thank you not ” - And yet " not ...
... give her father the clear and unequivocal reply he expects . Never famous for his composure , he explodes : How , how , how , how , chopped logic ? What is this ? " Proud " and " I thank you " -and " I thank you not ” - And yet " not ...
Side 110
... give thee here no jot of blood ' ) and , furthermore , that the entire last act following the courtroom scene depends on this same element of disguise for its humor ( Bassanio having surren- dered his ring out of gratitude to the Doctor ...
... give thee here no jot of blood ' ) and , furthermore , that the entire last act following the courtroom scene depends on this same element of disguise for its humor ( Bassanio having surren- dered his ring out of gratitude to the Doctor ...
Side 146
... give me leave 10 By circumstance but to acquit myself . Anne 11 Vouchsafe , diffused infection of a man , 12 Of these known evils , but to give me leave 13 By circumstance t'accuse thy cursed self . Richard 14 Fairer than tongue can ...
... give me leave 10 By circumstance but to acquit myself . Anne 11 Vouchsafe , diffused infection of a man , 12 Of these known evils , but to give me leave 13 By circumstance t'accuse thy cursed self . Richard 14 Fairer than tongue can ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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