Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 32
... example before them , readers will understand why I wish to designate this particu- lar means of creating naturalistic characters as the method of poetic idiom . It is not surprising that so many examples of this method are associated ...
... example before them , readers will understand why I wish to designate this particu- lar means of creating naturalistic characters as the method of poetic idiom . It is not surprising that so many examples of this method are associated ...
Side 145
... Examples serve best to clarify principles . We begin with an extreme example which , like the artist's caricature , is easily seen , with its big nose , warts , and all showing conspicuously . Early in Richard III , Richard Crookback ...
... Examples serve best to clarify principles . We begin with an extreme example which , like the artist's caricature , is easily seen , with its big nose , warts , and all showing conspicuously . Early in Richard III , Richard Crookback ...
Side 167
... examples taken from as many plays that span a period of nearly ten years . At the beginning of The Merchant of Venice ... example from King Lear . Rather late in that play , maddened Lear and blinded Gloucester meet . Characteristically ...
... examples taken from as many plays that span a period of nearly ten years . At the beginning of The Merchant of Venice ... example from King Lear . Rather late in that play , maddened Lear and blinded Gloucester meet . Characteristically ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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Art Imitates Business: Commercial and Political Influences in Elizabethan ... James H. Forse Begrænset visning - 1993 |