Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 36
... effect produced on the reader or spectator is more than the sum of the effects produced by plot , character , world , theme , and language — the principal elements of any play . This larger effect is produced by the relationships of ...
... effect produced on the reader or spectator is more than the sum of the effects produced by plot , character , world , theme , and language — the principal elements of any play . This larger effect is produced by the relationships of ...
Side 48
... effect statements , and the like . Closely associated with these , and also representing a fusion of both sound and sense , is the device known as stichomythia : dialogue presented in single alternate lines that - with or without rime ...
... effect statements , and the like . Closely associated with these , and also representing a fusion of both sound and sense , is the device known as stichomythia : dialogue presented in single alternate lines that - with or without rime ...
Side 227
... effects were stored . From atop the up- permost hut flew the flag that announced the performance , and from a window in ... effect must have been exercised over his audiences by Shakespeare , for we have the astonishing testimony of an ...
... effects were stored . From atop the up- permost hut flew the flag that announced the performance , and from a window in ... effect must have been exercised over his audiences by Shakespeare , for we have the astonishing testimony of an ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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