Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 144
... direction of convention , whereas the colloquial style looks forward in the direction of naturalism . The rhetorical style can be , and is , used by Shakespeare in all three of the media of language in which he worked - rimed verse ...
... direction of convention , whereas the colloquial style looks forward in the direction of naturalism . The rhetorical style can be , and is , used by Shakespeare in all three of the media of language in which he worked - rimed verse ...
Side 236
... direction : Enter Nurse , with cords . ( III , ii , s.d. , after 31 ) The Friar aids the lovers . At one point he actively furthers their rendezvous . Friar Go get thee to thy love , as was decreed , Ascend her chamber , hence and ...
... direction : Enter Nurse , with cords . ( III , ii , s.d. , after 31 ) The Friar aids the lovers . At one point he actively furthers their rendezvous . Friar Go get thee to thy love , as was decreed , Ascend her chamber , hence and ...
Side 237
... direction : Enter Cleopatra and her Maids aloft , with Charmian and Iras . Antony is brought before the towering tomb , and he and Cleopatra begin their last conversation . She wishes to en- fold him once more in her arms and orders her ...
... direction : Enter Cleopatra and her Maids aloft , with Charmian and Iras . Antony is brought before the towering tomb , and he and Cleopatra begin their last conversation . She wishes to en- fold him once more in her arms and orders her ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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