Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 109
... common reveals the poetic imagi- nation at work — the deft mind that thinks in analogies and correspondences . Consider the common element of disguise that informs all of these plots . We begin with an example of literal disguise ...
... common reveals the poetic imagi- nation at work — the deft mind that thinks in analogies and correspondences . Consider the common element of disguise that informs all of these plots . We begin with an example of literal disguise ...
Side 220
... common . And we know what they had in common . A rep- resentative English public theater of Shakespeare's time was a three - storied amphitheater surrounding an unroofed yard . The triple - tiered galleries surrounding the yard 220 ...
... common . And we know what they had in common . A rep- resentative English public theater of Shakespeare's time was a three - storied amphitheater surrounding an unroofed yard . The triple - tiered galleries surrounding the yard 220 ...
Side 267
... common subject - love . And they have a common viewpoint that may be epitomized in the image of a mask . All the principal characters are set the task of ridding themselves of their masks of delusion ( of many different kinds of ...
... common subject - love . And they have a common viewpoint that may be epitomized in the image of a mask . All the principal characters are set the task of ridding themselves of their masks of delusion ( of many different kinds of ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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