Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 102
... begin somewhere and that we cannot forever work our way back to original causes or we would never begin - or , worse , would be able to tell only one massive story that encompassed all human experi- ence from the beginning of time . But ...
... begin somewhere and that we cannot forever work our way back to original causes or we would never begin - or , worse , would be able to tell only one massive story that encompassed all human experi- ence from the beginning of time . But ...
Side 109
... begin with an example of literal disguise ( Jessica dressed as a boy ) in the elopement plot . It requires only a short metaphoric step to see the disguise of Portia ( literally , her picture ) within the dull lead casket whose ...
... begin with an example of literal disguise ( Jessica dressed as a boy ) in the elopement plot . It requires only a short metaphoric step to see the disguise of Portia ( literally , her picture ) within the dull lead casket whose ...
Side 113
... begin by focusing attention on the definition of critical terms . Chapter 2 starts out by dis- tinguishing between actual persons and dramatic characters , Chapter 3 opens with a detailed definition of the metaphor- ical term world ...
... begin by focusing attention on the definition of critical terms . Chapter 2 starts out by dis- tinguishing between actual persons and dramatic characters , Chapter 3 opens with a detailed definition of the metaphor- ical term world ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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