Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 64
... action , climax , falling action , and catastrophe and then tried to superimpose on these same five acts thus : Act I - exposition , Act II- rising action , and so forth . An examination of the actual structure of most Shake- spearean ...
... action , climax , falling action , and catastrophe and then tried to superimpose on these same five acts thus : Act I - exposition , Act II- rising action , and so forth . An examination of the actual structure of most Shake- spearean ...
Side 86
... action Aristotle was firm . " The plot ... must imitate one action and that a whole , the struc- tural union of the parts being such that , if any one of them is displaced or removed , the whole will be disjointed and dis- turbed . " To ...
... action Aristotle was firm . " The plot ... must imitate one action and that a whole , the struc- tural union of the parts being such that , if any one of them is displaced or removed , the whole will be disjointed and dis- turbed . " To ...
Side 150
... action to the word , the word to the action . . . ( III , ii , 16 ) we have a neat display of repeated words ( “ word . . word , " " action ... action " ) , of grammatical and rhythmic paral- lelism ( " to the word ... to the action ...
... action to the word , the word to the action . . . ( III , ii , 16 ) we have a neat display of repeated words ( “ word . . word , " " action ... action " ) , of grammatical and rhythmic paral- lelism ( " to the word ... to the action ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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