Shakespeare Plain: The Making and Performing of Shakespeare's PlaysMcGraw-Hill, 1977 - 298 sider |
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Side 50
... Richard II is one of only two plays that Shakespeare wrote entirely in verse or that he gave Richard more lines to speak than he provided any other figure until he came to delineate the character of an even more remark- ably eloquent ...
... Richard II is one of only two plays that Shakespeare wrote entirely in verse or that he gave Richard more lines to speak than he provided any other figure until he came to delineate the character of an even more remark- ably eloquent ...
Side 52
... Richard II in profile , kneeling , with three saints , St. John , St. Edward the Confessor , and St. Edmund , standing on his left ( thus behind him , since we view his right side ) . The other panel , toward which Richard is looking ...
... Richard II in profile , kneeling , with three saints , St. John , St. Edward the Confessor , and St. Edmund , standing on his left ( thus behind him , since we view his right side ) . The other panel , toward which Richard is looking ...
Side 53
... Richard rashly confiscates his estates to finance foreign wars . Predictably , Bolingbroke seizes the first opportunity ( Richard's ill - timed expedition to Ireland ) to break his word and return to En- gland at the head of a rebel ...
... Richard rashly confiscates his estates to finance foreign wars . Predictably , Bolingbroke seizes the first opportunity ( Richard's ill - timed expedition to Ireland ) to break his word and return to En- gland at the head of a rebel ...
Indhold
Prologue | 1 |
Person and Character | 19 |
Setting and World | 39 |
Copyright | |
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achieve action actors Alfred Harbage Antony appear artist blank verse Caesar called chapter Cleopatra colloquial style comedy comic convention critical discovered drama dramatic characters dramatist Elizabethan example Falstaff father Globe Hamlet hear Henry Henry IV Hotspur human illustrate imagery images Julius Caesar kind King Lear language lines lyric Macbeth means medieval Merchant of Venice metaphor Midsummer Night's Dream mind modern moral never once Othello passage patterns pause platform stage play's playhouse playscript playwright plot poet poetry Polonius Portia Prince principal prose qualities readers and playgoers rhetorical style rhythm Richard Richard II rimed verse roles Roman Romeo and Juliet Rosalind scene seems sense Shake Shakespeare Plain Shakespeare's audiences Shakespeare's plays Shylock speak speakers speare speare's speech stage direction story structure suggests syllable theater theme thing thou tion tragedies turn Twelfth Night unity universal witches words writing
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