More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 23
... sense of urgency and encour- ages interpersonal contact ( even interpersonal penetration ) between the speaker and the hearers particularly when the speaker catches the hearers with direct eye contact . And the ensuing dramatic ...
... sense of urgency and encour- ages interpersonal contact ( even interpersonal penetration ) between the speaker and the hearers particularly when the speaker catches the hearers with direct eye contact . And the ensuing dramatic ...
Side 101
... sense , that was the author's business . ” 20 But this same reasoning which makes Wilson prefer the Quarto should make us hold against the Quarto in this case . The point of his findings should be that when variant readings in the two ...
... sense , that was the author's business . ” 20 But this same reasoning which makes Wilson prefer the Quarto should make us hold against the Quarto in this case . The point of his findings should be that when variant readings in the two ...
Side 179
... sense of shame . But in the shame is a new dramatic model — one very much in keeping with our times . If the patient is not the genius , it is a genius which we can only admire : we cannot share it or accept it into our lives . And ...
... sense of shame . But in the shame is a new dramatic model — one very much in keeping with our times . If the patient is not the genius , it is a genius which we can only admire : we cannot share it or accept it into our lives . And ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance comedy conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree Tuesday upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York