More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
Fra bogen
Resultater 1-3 af 22
Side 34
... less interactional , and therefore less inducive of suspense or dynamic momentum . Actors unduly prone to such inflections may be trying to project an attitude - but they generally rob their own performances of interac- tive vibrancy ...
... less interactional , and therefore less inducive of suspense or dynamic momentum . Actors unduly prone to such inflections may be trying to project an attitude - but they generally rob their own performances of interac- tive vibrancy ...
Side 96
... less controversial suggestions in Eleanor Prosser's 1971 study is the assertion that " He is very young in these early scenes , per- haps only eighteen . ” 5 Yet the textual evidence of V.i has heretofore stood in stark opposition to ...
... less controversial suggestions in Eleanor Prosser's 1971 study is the assertion that " He is very young in these early scenes , per- haps only eighteen . ” 5 Yet the textual evidence of V.i has heretofore stood in stark opposition to ...
Side 100
... less . In other words , they both could have looked at the handwritten sources they were working from , and come up with different interpretations of the manuscript ; that is , the Folio compositor thought the word was “ sixteen , ” and ...
... less . In other words , they both could have looked at the handwritten sources they were working from , and come up with different interpretations of the manuscript ; that is , the Folio compositor thought the word was “ sixteen , ” and ...
Andre udgaver - Se alle
Almindelige termer og sætninger
acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York