More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 14
... emotional behavior . But the fluid mechanics of the stage are , by necessity , the actor's , not the character's ... emotionally powerful and rhetorical- ly intense . These are lessons Hamlet needs to learn himself . Thus a notion of ...
... emotional behavior . But the fluid mechanics of the stage are , by necessity , the actor's , not the character's ... emotionally powerful and rhetorical- ly intense . These are lessons Hamlet needs to learn himself . Thus a notion of ...
Side 46
... emotional memories and exploit them in class ( and presumably onstage ) . Strasberg's Studio therefore attracted , in addition to highly ego- centric movie stars like Brando and Dean , highly disturbed ( and reality - seeking ) actors ...
... emotional memories and exploit them in class ( and presumably onstage ) . Strasberg's Studio therefore attracted , in addition to highly ego- centric movie stars like Brando and Dean , highly disturbed ( and reality - seeking ) actors ...
Side 54
... emotional referents that his more sophisticated public language cannot touch . That is , both the actor and the interviewee have the freedom of complete social irresponsibility ; neither can be held personally accountable for being ...
... emotional referents that his more sophisticated public language cannot touch . That is , both the actor and the interviewee have the freedom of complete social irresponsibility ; neither can be held personally accountable for being ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York