More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 23
... build forever . It conveys a sense of urgency and encour- ages interpersonal contact ( even interpersonal ... build a speech ? Is speech- building an organic characteristic of real - world human behavior , or is it a mere theatri- cal ...
... build forever . It conveys a sense of urgency and encour- ages interpersonal contact ( even interpersonal ... build a speech ? Is speech- building an organic characteristic of real - world human behavior , or is it a mere theatri- cal ...
Side 24
... build in real life because in such cases the speaker is trying to achieve something ( usually something difficult ) with each phrase . And they build until the speaker either succeeds in achieving his / her goal , or gives up and tries ...
... build in real life because in such cases the speaker is trying to achieve something ( usually something difficult ) with each phrase . And they build until the speaker either succeeds in achieving his / her goal , or gives up and tries ...
Side 37
... builds . The slight intralinear pitch build from sound to use of voice dramatizes Horatio's growing hope that while it would be wonderful if the Ghost could make sound , it would be far better if he could actually speak . The more ...
... builds . The slight intralinear pitch build from sound to use of voice dramatizes Horatio's growing hope that while it would be wonderful if the Ghost could make sound , it would be far better if he could actually speak . The more ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York