More Power to YouApplause, 2002 - 185 sider More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Side 28
... begins to take shape . So let's go back to the initial question : why should acting students hate acting theory ? Partly , of course , because they're impatient and “ just ” want to get the job done . Partly because they're afraid that ...
... begins to take shape . So let's go back to the initial question : why should acting students hate acting theory ? Partly , of course , because they're impatient and “ just ” want to get the job done . Partly because they're afraid that ...
Side 46
... begins with a relatively secure Stanislavskyan base , as he speaks of " the central problem of the actor : How can the actor both really feel , and also be in control of what he needs to do on stage ... " Not only is this grounded in ...
... begins with a relatively secure Stanislavskyan base , as he speaks of " the central problem of the actor : How can the actor both really feel , and also be in control of what he needs to do on stage ... " Not only is this grounded in ...
Side 173
... begins to feel himself sterile of imagination , a man tightly bound in spiritual knots . The therapist begins to doubt : is it proper to “ adjust ” his patient to the barren world he himself inhabits ? The therapist reflects back onto ...
... begins to feel himself sterile of imagination , a man tightly bound in spiritual knots . The therapist begins to doubt : is it proper to “ adjust ” his patient to the barren world he himself inhabits ? The therapist reflects back onto ...
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance comedy conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree Tuesday upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York